Adobe · Filed May 27, 2026 · Published Oct 8, 2026

Adobe Patents an AI Photo Brush That Lets You Dial In How Much Changes

Most AI photo tools treat your selection as all or nothing: everything inside the outline gets replaced. Adobe's new patent adds a dial, so the brush can keep as much of your original photo as you choose.

A photo editing interface with an AI brush tool and slider controls for choosing how much original detail to keep. Drawing from patent filing US 2026/0311406 A1.
A photo editing interface with an AI brush tool and slider controls for choosing how much original detail to keep.
See all 9 drawings from this filing ↓
Publication number US 2026/0311406 A1
Applicant ADOBE INC.
Filing date May 27, 2026
Publication date Oct 8, 2026
Inventors Dana Michelle Jefferson, Benjamin Delarre, Davis Taylor Brown, Michael Spencer Cragg
US classification 345/442
Status when we published Waiting for an examiner (Jun 30, 2026)
Parent application is a Continuation of 18511230 (filed 2023-11-16)
Document 20 claims

What Adobe's content-preservation brush does

You're editing a photo of a jungle and you want a tiger peeking out from the leaves. You circle the spot, type a tiger, and the AI drops in a cat that looks cut out of a different picture.

Adobe's patent goes after that problem. When you paint over an area, you also pick how much of the original photo should survive there. Set it low and the AI mostly replaces what's underneath. Set it high and the leaves, light and colors stay put while the new subject shows through them.

The brush can have soft, fading edges, so the new content blends in gradually. The patent also describes a master slider for the whole edit, plus a row of preview versions so you can pick the one that looks best.

From the filing · CLAIM 1
… generating, using an image generation process guided by the second image and performed by an image generation machine learning model, an output image based on the first image and the content generation selection …

Translation: An artificial intelligence model creates a brand new picture using your original image and your brush adjustments.

How the brush sets each pixel's blend level

Claim 1 describes an editing tool where you supply a base photo, a second image that tells the AI what to add, and a number called the local content preservation value (how much of the original picture to keep). A selection, such as brush strokes, applies that number to the pixels you choose.

An image generation model (a trained AI that produces pictures; the filing names diffusion models and GANs as examples) then fills the selected region with content described by the second image. The link between the two is simple: the higher the preservation number, the lower the weight (the influence) of the second image on that spot. In the filing's example, a jungle photo plus a tiger prompt yields a tiger emerging from the leaves with matching light and shadow.

The filing and the dependent claims add plenty of controls:

  • Brush size and hardness: hardness sets how many bands of different transparency the mask has, and each band carries its own preservation value, so a soft brush blends gradually.
  • Global slider: a baseline preservation level that gets combined with each local value.
  • Match shape and guidance strength: how tightly the new content follows the selection's outline and the prompt.
  • Insert and remove modes, a preview of several variations, and the selection saved as metadata in an image layer.
From the filing · THE ABSTRACT
… where a weight of an effect of the second image on the image generation process corresponds to the local content preservation value.

Translation: How strongly the new elements blend in depends on the specific intensity setting you chose.

Why this matters for everyday photo editing

The practical payoff is fewer do-overs. The filing says conventional masks are hard and binary, so people tend to replace everything inside the outline and then retry until the result looks less pasted-on. A per-spot dial lets you nudge an edit toward the original or toward the new content without rerunning the whole thing.

It also fits a pattern in AI editing: moving control out of the prompt box and onto the canvas, where photographers and designers already work with brushes and opacity. The filing is a continuation of an application first filed in November 2023, and it frames the tool as friendly to non-expert users, who would only need to learn a slider and a brush.

Adobe's 28th filing we've tracked for controllable AI images since May builds on earlier applications like one cutting training costs and one staging product photos.

Editorial take

Claim 1 covers any tool that takes two images and a strength number, lets you apply that number to even a single pixel, and then uses the second image to guide what the AI produces in that spot. The claim never specifies how you make the selection, so a brush, a click, a shape drawn around an object, all fall inside it equally.

The phrase "at least one pixel" sets no floor on the area being edited, and "machine learning model" leaves the underlying AI engine wide open. That combination means the claim, if granted, would reach any photo editor that lets users dial in how strongly an AI-guided image drives the result in a chosen area, regardless of which AI powers it or how the user draws the selection.

A strength slider sounds like a small interface detail, but the claim wraps that slider, the selection method, and the guiding image together into a single protected package broad enough to matter across the industry.

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The drawings

9 drawing sheets from US 2026/0311406 A1 · click any drawing to enlarge

Patent filing page

Source. Full patent text and figures from the official USPTO publication PDF.
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